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Before the Guest

Rooms with everything already done to them and nobody in them yet — the candles lit, the bed turned down, the pen laid across the book.

A frameless mirror shaped like a pebble hangs alone on a bare plaster wall, reflecting the room behind the camera: a stone-block wall, a bed recessed into an alcove with a small lit lamp, a wooden ladder hung with a white towel, an open casement window and the rim of a freestanding bath.
Past the white curved rim of a freestanding bath and a jute rug lit by a patch of sun, an arched opening leads through to a kitchenette with patterned cement tiles, a wooden counter, two stools, a coffee machine and a round seascape hung on the wall.The corner of a bed in a cream plaster room, with two recessed niches above it — one holding pampas grass in a ribbed white vase, the other candles, two pink roses in a jug and a small book — and a curled sculptural lamp on the ledge below throwing warm light up the wall.
A double bed made up in white, with two towels folded into swans meeting to form a heart, a pale rose in a slim vase behind them, red foil balloons spelling "love" propped against the pillows, heart-shaped balloons in red, white and blush above them, and dark red rose petals scattered across the bedspread and into the foreground.
A corner shelf of warm plaster holding a cream leather-bound book with gilt edges and a gold pen laid across it, a corked glass jar of pale green and white pebbles with a conch shell resting on top, and a stone tray of white pillar candles beside a red fabric rose.